Belongings

48” x 32” x 3”
Acrylic on wood panel, kiln formed glass, forged steel 


A glimpse into the opera performers life is riddled with inequalities. Often times relationships between opera boys and their partners were hierarchal. The obtainment of the young actors enhanced the reputation and status of the often married elite or literati. However these relationships although transactional, still maintained relationship dynamics like gift giving. These actors were sometimes gifted a myriad of precious items ranging from performance jewelry to instruments or expensive materials as a way to show appreciation.

The artist utlizes glass and metal crafts to bring a literal depth to this voyeristic piece. Kiln casted glass hung by forged metal rings hangs in front of the piece as a frame. Behind these curtains, there is more than what meets the eye. The objects in the foreground identify the subject, but also call on the materiality of identity itself. Opera boys were often gifted exquisite jewelry and other precious items by their elite patrons, but were also often expected to serve their “partners” in some way. The artist then contrasts this narrative with communal symbols of the queer community. For instance the carabiner is an inside reference to lesbians. The bedazzled iced coffee is code for gay men, and the frog charm is an elude to those who are bisexual. The artist poses the question of whether our tie to materiality as a way to identitfy each other becomes too exclusive and transactionary, or if it is a way to communitate nonverbally with others of a community in a show of solidarity and support. Our belongings identify us and even validate that identity, however how much of that is also used as a tool to invalidate others’ of the same identity.


Click through the photos on the left to get more insight on my process!